The James T. Koetting Prize
Jim Koetting (1939-1984) was a respected ethnomusicologist whose main area of research was African music. He was an Associate Professor at Brown University. This award honors his memory as a distinguished teacher, scholar, musician, and colleague.
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2025
Hossein Zangeneh
Tehran University of Art, "Dancing on the Margins: Young Boy Dancers, Gender Performance, and Cultural Desire in Qajar-era Iranian Music Groups"
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2024
Winnie W. C. Lai
University of Pennsylvania, "‘Sing with You’: Sonic Activism and the Echoes of New Values in Hong Kong’s Shopping Malls."
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2020
Luis Achondo
Brown University, "The Hinchada That Other Hinchadas Listen to: Digital Circulation and Economies of Musical Creativity Among Argentine Soccer Fans”
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2019
Byrd McDaniel
Brown University, "Popular Music Reaction Videos: Staging the Body as the Material Site of Music Reception”
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2019
Pei-ling Huang
Harvard University, “'Thin Voice, Bud Voice, Female Voice': Material and Discursive Productions of Voice and Voicing in a Sindhi Devotional Community”
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2018
Payam Yousefi
Harvard University, “Singing Resistance and Subversion: Feminine Voices Renegotiating Iran’s Public Sphere”
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2018
Jason Reid Winikoff (Honorable Mention)
Tufts University, “The Mikakaji: Timbre in Zambian Luvale Percussion”
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2017
Rujing Huang
Harvard University, “We’ve Got Harmony, Too!”: Reclaiming Music Theory, Performing Chinese-ness"
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2016
Sarah Politz
Harvard University, "Multiple Temporalities in Benin's Brass Bands: A Postcolony's Local Histories of the Global"
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2015
Panayotis League
Harvard University, "Matters of Taste and Time in Greek Anatolian Music"
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2014
Panayotis League
Harvard University, "The Musical Metrics of Poetic Dialogue in Greek Song"
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2013
Max Jack
Tufts University, "On the Terrace: Ritual Performance of Identity and Conflict by the Shamrock Rovers Football Club Ultras in Dublin"
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2012
Warrick Moses
Harvard University, "White Skin, Black Masks? Expressions of Identity in the Work of South African Rave-Rap Crew 'Die Antwoord'"
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2012
Samantha Jones (Honorable Mention)
Boston University, "Timing and Groove in Irish Traditional Music and Dance"
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2011
Ulrike Praeger
Boston University, "Music in 'Sudeten-German' Expulsion"
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2010
Garrett Field
Wesleyan University, "From Threatened by Modernity to Reinvented by Modernity: The History of the History of Indian Classical Music (1980 - 2006)"
2009
Anaar Dasai-Stephens
Boston University, "Playing Their Part: The Changing Role of Professional Female Musicians in India"
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2008
Katherine I. Lee
Harvard University, "P’ungmul, Politics, and Protest"
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2007
Maria Guarino
Tufts University, "Common Life, Common Prayer: The Music of Community at Weston Priory"
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2006
Christopher J. Miller
Wesleyan University, "Indonesian 'Musik Kontemporer' and the Question of 'Western Influence'"
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2004
Anne Elise Thomas
Brown University, "Curriculum, Canon and Creativity: Youth and Arab Music Transmission in Cairo"
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2002
Stephen Pixley
Wesleyan University, "Performance as Ethnographic Object: Musical Images of the Primitive in Hill Tribe Tourism"
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2001
Birgit Berg
Smith College, " The Kidung Jemaat: A Christian Hymnal in a Non-Christian World"
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2000
Susan Thomas
"The Transformation of the Black Man in the Cuban Zarzuela" treats issues of race and gender in a minstrel-related repertory of Cuba, making comparisons to the United States"
1999
Judith Cassleberry
Wesleyan University, "The Living Dead and Spirits: Inspiration and Guidance for Black Women in Popular American Music"
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1998
Robin Carruthers
Tufts University, "Calamé: Characteristics of Lullaby in Venezuela"
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1996
Timothy J. Cooley
Brown University, was awarded the 1996 Prize for his paper entitled "Authenticity on Trial in Polish Contest Festivals"
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1995
Gregory Barz
"Kwayas, Kandas, Kiosks: The Making of a Tanzanian Popular Music"
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1993
Frank Gunderson
Wesleyan University, "Music, Ritual and Soundscape on Wanyamwezi Caravans in 19th Century East Africa"
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1992
Patrick Hutchinson
Brown University, "Hand-Made Music: An Uilleann Pipers's Way with Words"
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1988
Lisa Lawson Burke
Brown University, "Te kaunikai to te kaunimaneve: Changing aspects of performance competition in Kiribati"